立柱的艺术性

The Artistry of the Column

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筱原一男将民家土间内部的立柱，剥离其象征男权的主导地位，抽离成“白之家”的纤细裸柱，与其说它表现了某种象征性，不如说是抽离了象征的裸结构。展厅设计作为茶台的主要力量支撑，经过精心加工的洞石以自然面的姿态承担不同界面的衔接和联系，一根亮面的小圆柱使天花、茶台与地面产生连接，表示空间能量的内在流动。

Kazuo Shinohara stripped the columns of the interior of the household soil, which symbolized the dominant position of male power, and pulled out the slender bare column of the "White House". It is not so much a symbolic expression as a naked structure of the symbol. As the main strength support of the tea platform, the carefully processed cave stone bears the connection and connection of different interfaces in a natural attitude. A small column with bright surface makes the ceiling, tea platform and ground connected, indicating the internal flow of space energy.

与此相呼应的是，在“光通道”入口，同样立着一根小圆柱，但不同材质的表达，既体现了柱体的多面性可能，也使常识性的支撑结构解放为具有心理暗示作用的符号性语言，并且起到视觉平衡的作用。展厅设计从而使立柱本身，独立出墙体和平面的局限，也具备了灵动的艺术性生命力。

In response to this, at the entrance of the "light channel", a small column is also standing, but the expression of different materials not only reflects the multi-faceted possibility of the column, but also liberates the commonsense support structure into symbolic language with psychological implication, and plays the role of visual balance. So that the column itself, independent from the wall and surface limitations, but also has a flexible artistic vitality.