为了将这份被山水人文酿成的诗情镌刻进设计的内核中，酒店设计师在全日制餐厅、接待厅及包房的设计中融入彝族人民把酒言欢的各色场景，以赫章出土的珍贵酒器纹饰为灵感，将古老彝族的饕餮纹、火镰纹应用于柜面和墙面的装饰中，形成别具一格的纹样艺术风格，再现诗酒纵情的“夜郎盛景”。
The designer incorporates many scenarios of Yi people enjoying fun and drinking in the design of restaurants, reception halls and private rooms in order to incorporate the lyrical mood created by the landscape humanities into the core of the architecture. The designer uses the gluttonous pattern and sickle pattern of the ancient Yi people to decorate cabinets and walls, drawing inspiration from the priceless wine decoration discovered in Hezhang. This created a pattern artistic style of various patterns and replicates the “Yelang Scenery” of poetry and wine indulgence.

建筑是社会经济文学艺术的集中体现，不同民族、不同地域，有着不同的建筑文化闪光点。对于夜郎民居建筑文化的研究，从前仅见以赫章可汉墓出土的陶房模型为据，酒店设计继而推知夜郎民居住房为“干栏”建筑。史籍中对干栏建筑特点的记载有三：“依树积木”、“巢居”、“架房舍于栈格上”。接待厅的壁画以此为主题展开描摹，完美还原了夜郎百姓的生活场景。

Architecture is a concentrated expression of social economy and literature and art. Different nationalities and regions have different architectural cultural highlights. For the research on the architectural culture of Yelang folk houses, it was only based on the pottery house model unearthed from the tomb of Hezhang Kehan, and then deduced that Yelang folk houses were "Ganlan" buildings. There are three records on the architectural characteristics of Ganlan in historical books: "building blocks by trees", "nest dwelling" and "building houses on stacks". The murals in the reception hall depict this theme, perfectly restoring the life scenes of Yelang people.

汉阳厅的设计发想于太白诗作《醉题王汉阳厅》，酒店设计师以浮雕艺术重现了“昭昭晴川，历历楼台”的壮阔远景，使可供亲朋故知齐聚的开阔空间更具“高台喟叹，把酒临风”的风雅意趣，塑造出“取醉月中归”酣畅氛围。