项目名称：贵州观山湖锦江都城酒店设计
Project Name: Metropolo Jinjiang Hotel
项目地址：贵州省贵阳市观山湖区北京西路518号
Location: Guiyang, China
设计单位：广东极度空间酒店设计有限公司
Design Company: JDKJ Design
主案设计师：林永锋
Chief Designer: Yongfeng Lin
辅助设计师：宣赞、邓子杰、赖锦菊、袁晓盈
Assistant Designer: Zan Xuan, Zijie Deng, Jinju Lai, Xiaoying Yuan
项目面积：12000㎡
Area: 12000 square meters
项目造价：3600W
Cost: 36 million
设计起止日期：2018年06月
Design Cycle: June 2018
完工时间：2020年02月
Completion time: February 2020
主要材料：古典灰尼斯木饰面、南斯拉夫白大理石、拉丝古铜色钢、艺术玻璃砖、3D立体打印壁画、烤漆板、橡木木地板、东阳木雕等
Main Materials: Classical grey nice wood veneer, Yugoslav white marble, brushed bronze steel, artistic glass brick, 3D three-dimensional printing mural, paint baking board, oak floor, Dongyang wood carving, etc
业主名称：贵州观山湖锦江都城酒店
Client Name: Metropolo Jinjiang Hotel
项目摄影：聿空间摄影
Photographer: Yu Photography
“河流晓天，碧水清烟，花片细点龙泉”，贵阳当地的珍珠泉，又名珠泉、龙泉，是贵州颇具盛名的天然奇泉。贵州观山湖酒店设计作为人们留存记忆的载体，在岁月和历史的长河中，那些沉睡甚至即将消亡的龙泉文化，正等待着被唤醒，被开启……
Han Hong, a poet in Tang dynasty, once wrote like this, “Lucid waters and blue sky are as beautiful as petals flowing on Longquan Spring”. Pearl Spring in Guiyang, also known as Zhuquan Spring or Longquan Spring, is a quite famous natural spring in Guizhou. Engraving people's memory, the Longquan culture in danger is waiting to be awakened in the face of the vicissitude of history.
毗邻龙泉珍珠泉和观山湖公园的贵州观山湖锦江都城酒店项目，则正是将龙泉“池中分六七道而出，叠如贯珠之不绝”的清奇景观融入设计之中，交织当代设计语汇，贵州观山湖酒店设计以装置、景观、色彩为载体，构筑一处融合城市文化与现代智能的生活场景。
Adjacent to the Pearl Spring and Metropolo Jinjiang Hotel in Guanshanhu Park is the Longquan Spring landscape, where the scenery mixes with the design by virtue of installations, landscapes and colors, thus building a harmonious life scene with urban life and modern intelligence.
甫入酒店，整个前厅犹如一幅凭借现代技法抒绘的民族图景铺展开来。古雅的展陈台伫立中央，贵州观山湖酒店设计师以一本《多彩贵州》作为关键线索，展示了整个设计的构筑思路，将不同区域串联为有机整体。
Entering into the hotel, we find that the whole lobby is like a national picture with modern techniques spreading out before us. The antique exhibition platform stands in the center. Taking inspiration from the book Colorful Guizhou, the designer connects different areas into a whole to express the philosophy of the whole design.
接待台的大波浪木雕背景墙以贵阳的民族文化图腾为素材，贵州双鱼纹、各类花鸟纹样及铜鼓纹样的融入，藉由不同的体块建构出一副静水微澜的贵州山水画卷，在自然古朴的原木质感中融注人文内蕴。中华文化的表现形式不仅仅只是意象的堆砌，在家私选择上，贵州观山湖酒店设计师则在兼顾舒适安逸的同时，更注重与地理文脉的契合，希望不仅能够满足旅客的体验诉求，更能得到民族品牌酒店人的共鸣以及观点上的延伸。
Taking inspiration from Guiyang’s ethnic culture totem, the designer decorates the wave-shaped wood carving background wall of the reception desk with Guizhou’s double fish pattern and all kinds of flowers and birds patterns, as well as bronze drum patterns to create a picture scroll of Guizhou landscape with still water and slight waves through different volumes, adding humanistic connotation into the natural feelings. There’s no doubt that that the expression form of Chinese culture is not only the accumulation of images. In terms of furniture selection, the designer pays more attention to the harmony with the geographical context while taking into account the comfort and ease, hoping to meet the demands of tourists' experience on the one hand, and further get the resonance of national brand hotel staff and the extension of views on the other.
功能性是大堂设计的另一重点，为提供最便捷的入住条件，整个前厅不事赘饰，不设隔断，极大提升了空间的视觉通透性，同时彰显出开阔大气的空间气质。设计师以简洁的线条与体块描摹出空间轮廓，运用刚柔得宜的材质，将贵州质纯风雅的文化基底转化视觉力量，既灵动多姿，又不失自然的治愈之力。
Functionality is another key point of the lobby design. In order to provide the most convenient living environment and condition, the whole lobby is free of unnecessary decorations and partitions, greatly improving the visual transparency of the space while highlighting the grand space temperament. Meanwhile, the designer traces the outline of the space with simple lines and blocks, and uses the suitable material to transform the pure and elegant cultural base of Guizhou into visual power, which is both flexible and colorful while full of the healing power of nature.
电梯间以碧泉沉波为灵感，大面积铺陈抛光石材，使地面在光线的变幻中漾动出深邃波光，也巧妙地将前厅的文化艺术氛围过渡延伸出来。设计师提取贵州本土独特的蜡染工艺，将蜡染制品作为墙面的点睛之笔，吸引旅者随空间动线逐步深入追寻贵州古老的历史脉络与文化记忆。
Thanks to the inspiration from green spring, the designer designs the elevator with a large area of polished stone, so that the ground can reflect different changing light, which perfectly echoes with the culture and artistic atmosphere of the front hall. In addition, the designer makes use of the unique batik technology of Guizhou to attract visitors to pursue the ancient historical context and cultural memory of Guizhou along with the spatial moving line, which represents the finishing touch of the wall.
全日餐厅延续了“珍珠泉”的文化意向，湛蓝色的配色基调与烤漆材质相结合，工艺精良的现代材质完美还原了水光潋滟的流动观感，为空间增添动态之美。贵州观山湖酒店设计充分考量了空间的功能性，餐厅的用光更为克制和中性，使空间内的物件材质更返璞归真，展示自然的纹理与光泽。
The All Day Dining maintains Pearl Spring’s cultural intention where the keynote match color of blue and photograph of paint material are united in combination. The modern material with sophisticated technology pledges the sense of flowing water, adding dynamic beauty for the space. The function of the space is also fully considered, and the light of the restaurant is more restrained and neutral, ensuring the material of the objects in the space is more simple, thus showing the natural texture and luster.
几何状聚合的灯具组合串联起空间内最为突出的视觉重点，莹莹点点的感官视像与建筑体量、室内氛围和谐相融。在光影交错中，餐厅内悬挂贵州非物质文化遗产的蜡染、银饰、和各类图文仿佛从历史的尘埃中剥离出来，闪耀着经岁月磨砺的光晕。
The geometric combination of lamps and lanterns connects the most prominent visual focus in the space where the sensory image is in harmony with the building volume and interior atmosphere. In the interlacing of light and shadow, the batik, silver ornaments and all kinds of pictures and texts of Guizhou intangible cultural heritage hang in the restaurant, as if separated from the history, shining with a halo of time.
