选择–

Choice

正如主理人选择这些中古产品一样，中古店的核心并非有多少的货源，而是在众多的中古产品中，挑选出那些精品无暇的尖货。恰到好处，正是方木的内核。室内亦是如此，在软装、艺术品、乃至装饰物料的选择上，我们也一直秉承着恰到好处的选择方式，化繁为简的处理手法。

As the owner of the choice of these vintage products, the core of the vintage store is not how many products they can supply, but pick out those exquisite flawless goods in those designer bags.Just right, just the core of FMVingtage.

Interior space is also like that, We have always insisted on the appropriate treatment and selection of ways in soft outfit, artwork, even adornment material.

同时，不期而遇的主题概念，不仅指向消费者与中古产品之间的关系。也是我们整个空间设计的精神核心，这种不期而遇的状态更像是两个时代的碰撞。又或是两种设计语言的对话。老旧的中古产品在这里会遇见新的主人，重获新生，与另一个时代的产物迸发出新的火花。而传统的、古典的设计语言也会在这个当下与现代的、更加简练的设计语言产生新对话。我们便是选择用这一设计语言对整个空间进行重塑。

At the same time, the theme concept of Encounter, not only points to the relationship between consumers and vintage products.It is also the spiritual core of our entire space design, which is more like the collision of two generations.Or,a conversation between two kind of design languages.Time-stamped vintage products will meet new owners, be reborn, and have a new spark with products from another era.The traditional and classical design language will also have a new dialogue with the modern and more concise design language.We use this kind of design language to reshape the whole space.

首先，展厅设计在装饰形式上，我们将西方古典元素用于功能性的结构设置之中，比如门窗、橱窗、隔断、吧台、陈列等区域。而在空间结构的重塑上，则大量运用到现代、干练的处理手法。从某种意义上讲，这两种处理手法的逻辑关系一定是矛盾且冲突的。而我们却极力想要把这种矛盾与冲突放置在一起，我们希望这两种语言能真正的产生某种有意义的对话。时代向前，也并非是遗忘过去，我希望用我的方式去重新审视。所以，精致的木作、线条、造型也可以与裸露、简洁的水洗石、墙壁共处一室。而这样的状态是不违和的，甚至有种奇妙的味道。

First of all, in the form of decoration, we use western classical elements in functional structural Settings, such as doors , windows, partition, bar, display areas,etc. And in the remodeling of the spatial structure, a large number of modern and high-efficient processing techniques. In a sense, the logical relationship between these two processing techniques must be contradictory and conflicting. But we try to put these contradictions and conflicts together, and we want these two languages to actually produce some kind of meaningful dialogue. Moving forward is not about forgetting the past. I want to reexamine it in my own way. Therefore, delicate wood works, lines and shapes can coexist with bare and simple washed stones and walls.And such a state is not inconsistent, even a wonderful taste.