往昔的生活，成就了别人的生活方式，国人的居所美学从模仿到自我呈现，经历了几十年历程，最终发现"低调内敛而不失气韵" 才是东方居所的状态。介于黑白间，选用了高级灰，不迎合、不随波逐流，以平和淡然的姿态面对，境由心生，人又因境而动，整体空间调性沉稳而不失气场，样板房设计在静默中散发出一种不容置疑的力量，人与空间的相生相长，于无言中便尽显其形。

In between black and white, a high grade grey has been chosen, not to cater to or go with the flow, but to face the situation with a calm and breezy attitude, the situation is created by the heart, and people are moved by the situation.

一抹阳光从湖面跃入室内，缓缓游走于空间里的每个角落，从皮革肌理到雪花马毛的触感，从石材的纹理变化到木的温润生长，着墨于光影和材质的描绘，将一物一器连为一个整体，勾勒出眼前丰富的空间形态。

样板房设计师围绕"人、自然、艺术" 上演了一场空间对话的故事情节。以空间为载体，一尊《佳人腐骨》带来的艺术气息、一抹绿意蔓延于此，人行其间便能感知那份人文与自然、艺术的融合。

From the texture of leather to the touch of snowy horsehair, from the variation in the grain of stone to the warm growth of wood, the ink is used to depict light and shade and material, connecting one object and one object into a whole, outlining the richness of the spatial form before us.

人文

理想生活的探索

社会环境的不确定，人们比以往更渴望社区型的理想生活空间，万华·麓湖的【理想生活之城】完美契合这一愿景，WSD则在设计层面，样板房设计将更顺应时代发展的语境转化为空间语言，回归自我、家庭和社群，让理想的愿景成为当下的生活状态。

空间不是恒定的，而是可流动的。样板房设计在空间形态上，我们赋予更多维的可能性。岛台，用悬空结合屏风的设计演化，东方的内敛气质与当代审美相结合，隔而不断，留给空间更多的想象和延伸，情绪在其中自由流动。

People are more eager than ever for community-based ideal living spaces, Luxelakes' "City of Ideal Living" fits this vision perfectly, while WSD translates a more responsive context into a spatial language at the design level.

The island platform, with its overhang combined with the evolution of the screen design, combines the introverted oriental temperament with contemporary aesthetics, separating but not cutting the space.

WSD认为空间设计的背后逻辑是生活方式，联合万华·麓湖深入探究当代新贵对居所空间的多元需求，最终给出了LDK的答案。通过对客、餐、厨以及第三空间的不同组合转变，样板房设计可根据当下的生活需求，在家庭生活模式和社交模式中自由转换。

WSD believes that the logic behind spatial design is lifestyle, and together with Luxelakes, have finally come up with LDK's answer. Through the transformation of different combinations of guest, dining, kitchen and third space, it can be freely transformed between family and social mode according to the current living needs.