公共空间等候区挑空对两层空间进行打通，保有原主梁的结构，艺术家Chou的作品《Naughty Cat》端坐在主梁上，与接待台形成互动，藉由灵动之物带动空间气氛。空间整体运用大面积的水磨石板，呼应主题材质。仿古铜层板上整齐排序的白色餐具，增强空间的延展性。

The waiting area on 1F is a double-height space. The designers removed the original floor slab above this area, and at the same time preserved the main beam, on which the artwork "Naughty Cat" created by artist Chou is placed. The artwork interacts with the reception desk, and enlivens the spatial atmosphere.Terrazzoboards are applied tolarge areas ofthe space. White tableware isput on brass panels in an orderly manner, which extends the space visually.

二层玻璃砖墙嵌套于梁体结构中，餐厅设计形成空间交错，引入光线的同时保证二层空间的私密性。中山装人物雕像昂首挺胸的模型，像是在诉说旧时人们对生活积极向上的态度。对面阵列排序的64件印尼产的老厨具，代表着潮汕地域独特的侨文化，在外的游子无不对家乡食物的魂牵梦萦。

The glass brick wall on 2F is embedded into the beam structure, bringing in light whilst ensuring privacy of the space. The human figure sculptures wearing Chinese tunic suit hold head high, seeming to tell people the positiveliving attitude in the past. Opposite tothe sculptures are 64 orderly-arranged pieces of kitchen ware. Made inIndonesia, those old kitchen utensils not only imply the "overseas Chinese" culture of Chaoshan area, but also carry overseas Chaoshan people's longing for hometown cuisine.

一层厢房区域，今古凤凰在原有主梁的基础上增置框景框架，François-Xavier Lalanne的《Singe attentif》矗立在框景内，瞭望着远方的天空，如童年时光蹲坐在老门槛上幻想着长大后的愿景场景。坐区延伸清水泥混凝土墙体，遗存原始材质，与木饰面墙面形成肌理碰撞。希望藉由材质变化，随时间累积呈现时间痕迹。

Ina private dining room onthe first floor, the design team added a frame to theexisting beam. François-Xavier Lalanne's artwork "Singe attentif" squats in the frame and overlooks the sky, echoing thepast scene where kids sat on old threshold and imaged what they hoped to be when growing up. The seating area extends theair-faced concrete wall and inheritsthe plaintexture, which forms contrast with the wall featuring wood cladding. The designers hoped to show the passage and trace of time via changes of material textures.