遇涧民宿设计

民宿的公共空间，旨在打破平日生活的隔阂，让来自不同区域、背景、年龄、性格的客人能够在同一屋檐下共处、共融，既能找到自己独处的角落，也能肆无忌惮的与陌生人交流沟通。因此这里是充满生机和包容性的：一层公区空间平面采用纯粹的围合式结构，并沿墙设置了不同尺寸和形状的沙发，从而创造出多元的互动场景，让每个人都能找到自在的角落。

The public space of the B&B is designed to break down the barriers of daily life, allowing guests from different regions, backgrounds, ages, and personalities to live together and integrate under the same roof. They can find their own corner to be alone, and can also communicate with strangers without restraint. Therefore, this place is full of vitality and inclusiveness: thefloorplan adopts a pure enclosed structure, and sofas of different sizes and shapes are set along the wall, thus creating a diverse interactive scene, allowing everyone to find a comfortable corner.

▼为交流与事件发生的情境创造可能性，To Create Possibilities for Communication Situations And Events

▼公共客厅a，Living Room a ©徐英达，黄迪

▼公共客厅b，Living Room b ©徐英达，黄迪

▼餐厅，Restaurant ©徐英达，黄迪

茂林青砖和杜邦纸，小花砖与原生木料，不同材质肆意碰撞，为空间参与者预留了最大的自由度与探索空间。家具采用粗犷的木材和竹编，不追求精致的边角和收口，反而未经雕琢的自然美感对这里来说更加难能可贵。相较于千篇一律的工业流程化“产品”，我们更希望这里呈现出民宿主悉心打理并不断变化的状态：虽不完美，但充满生命力。

Decorative tiles and Dupont paper, small decorative tiles and native wood, different materials collide freely, leaving the greatest freedom for visitors to explore. The furniture is made of rough wood and bamboo weaving, and does not pursue exquisite corners and edges. Instead, the uncarved natural beauty is more valuable here. Compared with the stereotyped industrial process "products", we hope that this place will present the state of careful care and constant change by the homestay owner: although not perfect, it is full of vitality.

▼“肆意碰撞”，“Flexible Combination” ©徐英达，黄迪

▼“生机勃勃”，“Vitality Flourishing” ©徐英达，黄迪

化零为整，一居一境

Gather parts into a whole, one room one experience

经过平面的局部重构优化，将原有的18间客房合并调整为新布局的14间。这十余个房间自下而上分布于建筑的四个楼层，由于建筑一侧望向河水与村庄，一侧紧邻道路与山峦，不同楼层、朝向的房间都有着截然不同的外部条件，加之民宿主人对于产品功能多样性的诉求，几乎每个房间都被赋予了不同的性格：

After partial reconstruction and optimization of the floorplan, the original 18 guest rooms are merged and adjusted into 14 rooms with a new layout. These more than ten rooms are distributed on the four floors of the building from bottom to top. Since one side of the building faces the river and the village, and the other side is close to the road and the mountains, the rooms on different floors and directions have completely different external conditions. In addition, the owner of the homestay demands for the diversity of product functions: almost every room is given a different character:

▼山景前的客房，Guest Room Facing the Mountains ©徐英达，黄迪