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德赛斯生活美学馆展厅设计

01超越与试炼

Transcendence and experiment

这一切,要从2020年夏天那通电话说起。展厅设计喜欢在空间中用沉浸式场景讲故事的陈林,内心讲求“实用到美,而不是美到实用”的理念,与德赛斯想要传达一种美好生活方式的想法不谋而合。此外,他还邀请到崔树,这个集叛逆、个性、细腻与严谨于一身的设计师联合打造。

The story started with a phone call in the summer of 2020. Chen Lin, who likes to tell stories via immersive scenes, emphasizes the concept of "being practical and beautiful", which coincides with Techsize’s vision of conveying a better way of life. In addition, he invited Cui Shu, a designer who is rebellious, individual, delicate, and rigorous to collaborate on this project.

一次跨越年龄与城市的设计

正因为想跨越,

这个试炼才会降临

As a design across age and city,

it is just because of the willingness to surpass,

that the practice comes into being.

联·合 Combination

于是,来自于不同文化语境下的两位设计师,在别样视角和各自理解中形成的互补与反差,展厅设计诠释着空间尺度的收与放、细节的灵与骨,以及创意力量的松与紧... ...

As a result, the two designers from different cultural contexts complement and contrast in respective perspectives and understandings, interpreting the flexibility of spatial scale, the spirit of details, and the tension of creativity.

崔树,作为北方设计师一开始觉得400平米的空间并不大,所以打算用一个纯粹而完整的方式呈现出来;展厅设计而映射着南方含蓄气质的陈林则相反,他觉得空间不小,可以将江南的山水意境带入设计。

他们试探、碰撞、重组、融合……常常工作沟通到凌晨,慢慢地,他们把各自的灵感用立体的形式重叠起来。

As a designer born in North China, Cui Shu thought that the space of 400 square meters was not large at first, so he planned to present it in a pure and complete way. On the contrary, Chen Lin, who had the subtle temperament of the people in South China, thought that the space was not small, and he proposed to bring the artistic conception of landscapes in the south of the Yangtze River into the design.

Explored, collided, reorganized, and combined, they often worked and communicated until the early morning. Gradually, their respective inspirations are overlapped in a three-dimensional way.

盈·造 Creativity

二人的创作,展厅设计就在建筑与自然、设计与美学、统一与变化、平衡与放空,“不必去设计造型,而是去打造生活。”

于是他们将东方艺术与西方文化在交错的时空中碰撞,好设计、好产品、好工艺,展厅设计通过对密度和节奏的把握,让其生出共性之美,步入的观者在那种朦胧含蓄的张力中,去感受空间的无限可能。

Between architecture and nature, design and aesthetics, unity and change, balance and emptiness, their creation is not to design shapes but to create life.

So, eastern art and western culture collided in the interlaced time and space, in which the common beauty of good design, products, and craftsmanship is generated through the control of density and rhythm. When the visitors stepped into that hazy and implicit tension of space, the infinite possibilities of space can be felt.

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