野蛮生长 | Natural growth
南阳剧场在改造前，就已经呈现出毛坯的状态，除了演出厅以外的其他空间，几乎都是粗野的水泥柱与剥落的墙皮。当我们进入场地的时候，建筑的残败在阳光的照耀下，光影的变幻之间，竟然消除了原本该有的落魄感，反而给人以一种粗野的美感。也许这就是一种空间的自我“野蛮生长”，新与旧本就不是“美”与“丑”的评判指标。所以在改造中，我们刻意保留了建筑中某些粗野的部分，让它尽情展现那种粗犷的魅力，让历史感外露，提升建筑空间结构的力量感，也让空间氛围更具有戏剧的冲突性。
Before the renovation, Nanyang Theater was already in a rough state. Except for the performance hall, almost all the spaces were rough cement columns and peeling walls. When we entered the site, the destruction of the building was shining in the sun, and the changes of light and shadow unexpectedly eliminated the original sense of frustration and gave people a rough sense of beauty. Perhaps this is a kind of self-"natural growth" of space and the new and the old are not the criterion of "beauty" and "ugliness". Therefore, in the renovation, we deliberately retained some rough parts of the building, let it show the rugged charm, let the sense of history be exposed, enhance the sense of the strength of the building space structure, and make the space atmosphere more dramatic conflict.
▼ 裸露的原始水泥柱子与新材料的结合The combination of exposed original cement columns and new materials
@刘晓飞
▼ 楼梯间Stairscase
小枝️@ICYWORKS
文创空间设计建筑共有四层，楼梯间是建筑中最重要的竖向交通空间。楼梯间墙面一半保留原有红砖材质一半采用做旧艺术涂料材质，一半是历史一半是现在，楼梯间就像一个能够穿越时空的梦幻空间。楼梯踏步延续原本的水磨石地面搭配内嵌亚克力灯带，贯穿于整个4层的建筑空间，形成一个富有历史年代感的楼梯间区域。
The building has four floors, and the staircase is the most important vertical traffic in the building. The staircase wall half retains the original red brick material, half uses the art paint material, half is history and half is new. The staircase is like a dream space that can travel through time and space. The stair steps continue the original terrazzo floor with embedded acrylic light strips, running through the entire four-story building space, forming an area full of history.
历史的碰撞 | The collision of history
▼分析图Diagram
▼首层公共空间Public space on the ground floor
小枝️@ICYWORKS
建筑的首层功能为：接待、剧场、咖啡休闲、化妆间。踏进入口大门就来到了一个充满历史怀旧感的接待前厅与公共空间。将原本的柱子与天花暴露，地面用水磨石与水泥形成对比。部分空间将老剧场保留下来老物件重新利用，也更加的体现出了新旧材料之间的传承与联系。
The functions of the first floor of the building are reception, theater, coffee leisure, dressing room. Stepping through the entrance door, you will come to a reception lobby and public space full of historical nostalgia. The original column is exposed, and the ground is contrasted with terrazzo and cement. In a part of the space, the old theater is retained and the old objects are reused, which further reflects the inheritance and connection between the new and old materials.
▼红绒布为主题的化妆间Dressing room withred velvet theme
小枝️@ICYWORKS
除了建筑本身极具特色之外，我们在现场还发现了另外一个特点，那就是剧院传承下来的各种老家具与物件。文创空间设计装道具的木头箱子、歌舞时用的大鼓、剧场的红色座椅以及传统的红绒布帘，这些物件一下子就把我们带回了当年那个年代。每一个物件都像是一把开启时空隧道的“钥匙”，所以在设计中，特意保留了这些物件与元素，让来到这里的人们都能回忆起当年的美好时光。
In addition to the unique features of the building itself, we also found another feature at the site, that is, all kinds of old furniture and objects are passed down from the theater from the theatre. Wooden boxes for props, big drums for singing and dancing, red seats in the theater, and traditional red velvet curtains take us back to that time at once. Every object is like a "key" to open a space-time tunnel, so these objects and elements are specially preserved in the design so that people who come here can recall the good old days.
▼ 代表性颜色—— 孔雀绿Representative color-malachite green
小枝️@ICYWORKS
@宗宇辰
文创空间设计共享际二三层主要是联合办公空间，这里的玻璃隔断摒弃了颜色冰冷的黑色金属边框，文创空间设计我们采用明朗跳跃的孔雀绿，一是为了延续南阳剧场那个年年代的室内设计传统——半截绿，二是这样可以令整个工作的空间在视觉上更加轻盈明朗。拱形的金属造型也是传统剧场的标志性符号之一，我们在水吧区设计沿用了这个拱形的语言，并且在墙面配以金色壁灯，使得二、三层的空间既现代又具老剧院的影子。
The second and third floors of 5Lmeet are mainly co-working spaces. The glass partitions here abandon the cold black metal frame. We use the bright malachite green. One is to continue the interior design tradition skills- half green- in the old days. Second, this can make the entire working space lighter and brighter. The arched metal shape is also one of the iconic symbols of the traditional theater. We used this arched language in the design of the bar area and equipped the wall with golden wall lamps, making the second and third floors not only modern but also old.
