Yohji Yamamoto noted Perfection is ugly. He wanted to see Flaw, Failure, Mess, and Distortion in the mistakes of humans made. Perfection is the manifestation of order and harmony, the result of coercive force. Free people would not expect such a thing. Therefore, he believed that most women do not admire freedom, those who pursued symmetrical clothes. The broken pillars and the original strength of sand make fabric more soft and fragile. This strong contrast makes the space full of drama.

“零售空间的多元语境”

/Multiple Contexts of Retail Space

购买一件商品的意义远不止于物质层面上的获得与拥有，这其中更是蕴藏着某种精神性，映射出人们对于某一时刻，某一地域，某一种生活方式等等的欲望与向往。我们希望空间是多元开放的语境，让人们可以更多的了解自己和外部世界之间的关系。在艺术馆里用户不购买东西也没有关系，即便是坐下来喝一杯咖啡聊聊天，看看收藏的一些杂志，艺术品等也可以。凯莉莫斯设计师品牌艺术馆设计只有保证空间的这种“开放性”，才能够为社交的即兴属性和其他形式的好奇心留有空白。

The meaning of buying a commodity is far beyond material acquisition and possession. It also contains some spirituality, reflecting people's desire and yearning for a certain moment, a certain region, a certain way of life and so on. We hope that space is a pluralistic and open context, so that people can know more about the relationship between themselves and the outside world. It doesn't matter that users don't buy anything in an art museum, even though they just sit down, have a cup of coffee, chat with each other, or look at the collection of magazines and arts, etc. Only by ensuring this ‘openness’ of the space can there be room for the improvisational social interaction and other forms of curiosity.

为确保到访者每天或者每周到艺术馆有新鲜感和兴趣，品牌主理人凯莉每天都在艺术馆探索生活美学。人与人之间的创造性相遇”，由此，在多重语境的融合之中，新的文化活动形式也在这里不断诞生。设计和经营是不可分割的，设计从交付以后，美的价值才开始发挥真正的作用，我们希望空间中的设计是可持续性和被创造的。