The space materials are stainless steel, mirror, glass, cement, steel plate, old wood, etc. Materials and fabrics interact with each other, and the collision of materials allows us to feel the past, present and future in the space. 

黑色是一种最有态度的颜色，他分明在表达，我不烦你，你也别烦我”——山本耀司

‘Black is one of the most attitude color, he clearly expressed, I don't bother you, you don't bother me’ by Yohji Yamamoto

“时尚先锋”

/Fashion Pioneer

衣着，其实会让我们找到自己——山本耀司

‘Clothing, in fact, will let us find ourselves’ 

by Yohji Yamamoto

就像人一样，布料也有自己的生命，生长并老去。当布料被放上一两年，经历自然收缩后，才能显露出它本来的魅力。每一根线都有自己的生命，经过几年的生长，日渐成熟。经历这样的过程，布料才能呈现它曾深藏不露的美丽。”在艺术馆里每件衣服都是角儿，空间像个大舞台，让每件衣服尽情的绽放。

Just like people, cloth has life, growing and aging. When the fabric is left for a year or two, undergoing natural shrinkage, it reveals its natural charm. Each thread has its own life, maturing over the years. Through this process, the fabric can reveal the beauty it once hid. In the art museum, every piece of clothing is a character, and the space is like a big stage, making every piece of clothing blooming lively.

山本耀司认为“完美是丑陋的。在人类制造的失误中，我希望看到缺憾、失败、混乱、扭曲。完美是秩序和和谐的呈现，是强制力的结果。自由的人类不会期望这样的东西。由此，我认为大多数女人是不向往自由的——那些追求对称衣装的女人们。凯莉莫斯设计师品牌艺术馆设计破败的柱子和沙石的原始力量感让布料更加的柔美和脆弱。这种强烈的对比让空间充满了戏剧性。