大花苗族是夜郎古国的另一重要族群，其独具特色的“大花衣”积淀了深厚的历史文化内涵，酒店设计师结合刺绣和蜡染的技艺将夜郎各族的传统纹饰图案重现于空间装饰中，使生活化场景浓缩了厚重的历史感和故事感，潜移默化中洇染上时光的痕迹。

Dahuamiao nationality is another important ethnic group for Yelang Ancient Country. It contains a profound historical culture connotation. In order to replicate the traditional ornamental patterns of the Yelang ethnic groups in the space decoration, the designer blends the needlework and batik abilities. As a result, the life scene is densely imbued with a feeling of history and narrative that is subtly stained with the passage of time.

“设计的难点从不在于以线条绘制图案或以图案组合画面，而在于顺应自然与人文的脉络下笔，勾勒出空间的本原面貌”。为了将本案塑成夜郎文化的集大成者，酒店设计师深入黔滇历史，探寻在地文化内核，在细节处体现深厚底蕴，让项目不仅能够集中展示夜郎古国风土人情，更可再现“千古风吹到夜郎”诗情雅意。

"The difficulty of design is not drawing patterns with lines or combining pictures with patterns, but writing in accordance with the context of nature and humanity and outlining the original appearance of space". In order to make the case an epitome of Yelang culture, the designer studies Guizhou and Yunnan history and make effort to explore the cultural connotation locally, so that the project can not only display the Yelang ancient customs, but can reappear a kind of poetic elegance.

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