Inspired by one of Li Bai’s poems, the designer recreated the magnificent prospect as for the design of Hanyang Hall, where friends and relatives come together to sing and drink to enjoy themselves in such a dreamy atmosphere.

“竹文化”是夜郎文化的精髓所在，古夜郎的领袖被称为“竹王”，当地人也称心仪之人为“竹”，竹不仅是辟邪之物，更是古夜郎人民的信仰寄托。在夜郎厅的酒店设计上，设计师紧扣“竹文化”这一线索，独家定制夜郎竹简，配备竹制品摆件，同时以青翠的主题色调呼应物象，以抽象手法将茂林修竹植入空间意境之中。

"Bamboo culture" represents the essence of Yelang culture. In ancient times, the leader of Yelang was called "The King of Bamboo", and the cherished individual was also referred to as “bamboo” by the locals. The ancient Yelang people believed in bamboo as well as used it as a means of warding off evil spirits. The designer follows the hint of bamboo culture, creating tailored Yelang bamboo slips that were furnished with bamboo goods and ornaments. At the same time, the designer uses abstract techniques to incorporate bamboo and trees into the artistic conception of space.

“山舞火蹈携光彩，天落星斗满人间”，犍为厅以彝族火把节为主题，酒店设计师对火焰元素进行拆解，以其形为灯具，以其色为饰面，辅以牛角、冰裂纹等彝族传统民族饰品还原火把节的这一仪祭庆典的盛大隆重，将彝族人民与自然休戚与共的生活方式直观表现出来。

The theme of Qianwei Hall is the torch festival. Based on a thorough understanding of the elements of flame, the designer chooses the shape of a torch for it, using its color for the veneer and adding horns and ice cracker as part of the Yi people’s customary national jewelry to reshape the grand sacrifice ceremony. This directly expresses Yi people’s solidarity with nature and life.

宛温厅撷取“大花苗家千年忆”的主题元素，酒店设计将迁徙历史绣进配饰，极具象征蕴意的几何纹图案由自然物的具象抽象化而成，整个空间承载着传统民族文化的精髓。

As for the design of Wanwen Hall, the designer takes inspirations from the long history, and makes use of geometric patterns with strong symbolism to endow the space with traditional ethnic culture.

宿：醉兴枕月眠，彝歌入梦来

如同逐水草而徙，沿着设计师描摹的“韭花小径”寻踪，即可步入客房区域。酒店设计师将夜郎古国的山水风光、人文造物糅入客房主题设计，让旅者可随心自由选择，或依草原而卧、或拥织绣而眠，或和曲踏歌、或枕风伴月，从不同的角度感悟夜郎千姿百态之美。