【中轴线，见山非山】

[The central axis,to see the mountain as it is not a mountain any longer ] 

唐代诗人于武陵在《寻山》中写道：青山如有利，白石亦成尘。水阔应无路，松深不见人。玻璃枯山石景意为内心明静与克制。拨云见山，符号化永远是设计人踏遍内心的追寻，抑扬顿挫，抑或记黑当白，记白当黑，这是空间的韵律、节奏与虚实关系。办公室设计

Yu Wuling, a poet in the Tang Dynasty, wrote in his poem "looking for the mountain": If a green mountain is advantageous to human beings, even one white stone will turn to dust;If the lake is wide, there will be no way to the other bank ; If stepping into a deep pine forest ,there will be no people .The dry landscape made of glass means inner peace and restraint . Like dispelling the clouds to see the sun , symbolization is always a designer's life-long pursuit . Cadences or reckoning blank as inked while reckoning inked as blank ,are the relationship among the rhythm of space, rhythm and "Virtual and Essence" .