从书房的实木地板到盥洗区域的木色柜体，以木系色彩联结两个空间，使空间自由对话，再以不同柜体的形式变化去暗示空间机能的不同，没有繁复的线条，现代简约的柜子在各自空间中演绎着至关重要的空间收纳角色。

From the real wood floor of the study to the wooden cabinet of wash one's hands and face area put oneself in another's position, join two Spaces with wooden fastening colour, make the space freedom dialogue, change with the form of different cabinet put oneself in another to suggest dimensional function is different, do not have the line of heavy and complicated, contemporary and contracted cabinet is deducing the space that is crucial in respective space receive a role.

/ 主卧空间 /

我们追寻空间诞生的本质，以最纯粹的设计角度去组构空间，注重空间的串联功能。以明朗的柔黄色为主，米灰色为辅的色系，塑造出干净欢快的空间格调，达到“简约风也可以活力俏皮”的装饰效果。

We pursue the nature of the birth of space, to the most pure design perspective to fabric space, pay attention to the function of spatial series.With anacreontic mix yellow is given priority to, the color that rice gray is auxiliary is fastened, model gives clean and cheerful space style, achieve "contracted wind also can vigor is nifty" adornment effect.

如同日本设计大师原研哉所言“诸如一只打破的鸡蛋蛋黄之澄澄金黄，或是一盏茶杯中满盈的茶水，都不只是颜色。它们其实是在一种更深的层次上，带着其物质本性中所固有的属性，诸如质感与味道等一起被看到，人们是通过这些元素的组合看到颜色的。”

As Japanese design master Kenya hara said: "the color of a broken egg yolk, or a cup full of tea, is not just color. They are actually seen at a deeper level, with attributes inherent in their physical nature, such as texture and taste, through the combination of these elements.

/ 次卧空间 /

次卧空间正是在这种不为形式所拘束的构思下，以明朗自然的艺术装设，搭配无形主义的挂画，在轻盈的氛围中，屏住一丝稳重成熟的气息，营造出一个时尚舒适的高品位艺术空间，诠释出原研哉所述“现代主义本身带有的孤独”，以及不追求形式反使人越发转向内在，悠然生出纯粹的快乐。

Is where the second lie space to form idea of restraint, in order to clear natural art installed, collocation of intangible hang a picture, in an atmosphere of lightness, hold a sedate mature flavor, create a fashion and comfortable high quality art space, reflecting the original zai described "modernism itself with loneliness", and not the pursuit of form makes one more turn inward, carefree pure happiness.

/ 软装及饰品精选 /

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