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做为设计师，每天给客户设计不同风格的房子，自己的房子设计成什么样子，我思考良久.
在互联网时代设计师普遍焦躁，比较少静下心来思考方案，我自己的家希望做到“简洁”“身安”“心安”，但这种感觉很难描绘，所以引用了明·陈继儒《太平清话》比较贴近我的想法。《太平清话》东方文化中的通灵时间：凡焚香、试茶、洗砚、鼓琴、校书、侯月、听雨、浇花、对画、礼佛、偿酒、看山、临帖、刻竹、喂鹤……以现代中式的风格展示现代士大夫阶层的闲逸生活场景。
As a designer, I've been thinking for a long time about how to design different styles of houses for my clients every day.
Designers in the Internet age are generally impatient, less quiet to think about the program, my own home hopes to achieve "concise", "safe" and "peace of mind", but this feeling is difficult to describe, so the quotation of Ming Chen Jiru "Tai Ping Qing Hua" closer to my idea. The channeling time in the oriental culture of Taiping Qinghua: burning incense, testing tea, washing inkstones, drums and pianos, proofreading, Hou Yue, listening to rain, watering flowers, painting, ritual Buddha, rewarding wine, watching mountains, posting, carving bamboo and feeding cranes. The modern Chinese style shows the scene of leisure life of modern scholar bureaucrats.
作品名称：《闲云野鹤》
The title of the work is "idle cloud and wild crane"
设计时间：2017.5
竣工时间：2018.8
项目地址：广东深圳
主设计师：梁桓彬,罗天蓉
主材：莎安娜大理石，金意陶地砖,欧普灯具，欧魅力软装，
Design time: 2017.5
Completion time: 2018.8
Project address: Shenzhen, Guangdong
Chief designer: Liang Huanbin, Luo Tianrong
Main materials: Saanna marble, golden Yi ceramic tile, OPPLE lamps, European charm, soft clothing
引-张九龄《羡鹤》
Yin and Zhang Jiuling's "envy Crane"
云间有数鹤，抚翼意无违。晓日东田去，烟霄北渚归。
欢呼良自适，罗列好相依。远集长江静，高翔众鸟稀
There are several cranes in the clouds, but the wings do not violate them. Xiao Tian went to the east to go to the north.
Cheers are good and well placed. Far from the Changjiang River, Gao Xiang is rare
这首诗的大意是这样的：云间数鹤自由自在地展翅高飞，没有违背自己的心意。早晨向东边地的飞去，傍晚从北边江中的岛屿上飞回。一路欢呼，非常惬意，它们互相依偎在一起。远远地停在长江上，江上非常安静，白鹤飞得很高，没有其他的鸟能与之相比。
The main idea of this poem is this: several cranes flying freely in the clouds, not against their own will. Fly to the East in the morning and fly back from the islands in the north of the river in the evening. All the cheers were very pleasant, and they nestled together. Stopping far away on the Yangtze River, the river was very quiet, the white crane flew very high, no other bird can compare with it
鹤在道教中，是长寿的象征，因此有仙鹤的说法，而道教的先人大都是以仙鹤或者神鹿为座骥。鹤雌雄相随，步行规矩，情笃而不淫，具有很高的德性。古人多用翩翩然有君子之风的白鹤，比喻具有高尚品德的贤能...
In Taoism, cranes are the symbol of longevity, so there is a view of cranes, and Taoist ancestors are mostly cranes or deer as a stalk. Cranes follow each other's rules. They walk in a strict way, but do not commit adultery. The ancients used the white crane with a gentleman's wind, and compared their virtues with noble virtues。
这是宋徽宗《六鹤图》，收藏在日本
This is Song Huizong's "six crane chart", which is collected in Japan.
在中国古代文学和绘画中有个人画鹤最有名，那就是赵佶，即宋徽宗，宋朝第八位皇帝。赵佶在位26年，赵佶善书画。他自创一种书法字体被后人称之为“瘦金体”，热爱画花鸟画自成“院体”。这是他的"瑞鹤图"
In ancient Chinese literature and painting there is a person most famous for drawing cranes, that is Zhao Biao, that is, Song Huizong, the eighth emperor of the Song Dynasty. Zhao Ji was in power for 26 years, and Zhao Jishan was painting and calligraphy. He invented a calligraphic font called "thin gold body" by later generations. He loved painting flowers and birds as "courtyard body". This is his "Rui he diagram".
历史评价宋徽宗是失败的皇帝，被后世评为“宋徽宗诸事皆能，独不能为君耳！但在他位时侧重文学出了很多书画家，给中国留下不少艺术财富，如《清明上河图》等。
Historical evaluation of Song Huizong is the failure of the emperor, was later evaluated as "Song Huizong all things can not be a monarch's ear! However, during his reign, he laid particular stress on literature and produced many calligraphers and painters, leaving a lot of artistic wealth to China, such as "Qingming Shanghe Tu" and so on.
[喂鹤]
[feed the crane]
鹤行走时，细腿高抬，挺胸昂首，迈着“矩步”，从不萎萎缩缩，徐缓而高雅，有一种“绅士”风度，透着阳刚之气。
When the crane walks, its slender legs are raised, its chest is raised and its head is raised. It strides in a "square step" and never shrinks. It is gentle and elegant. It has a "gentleman" demeanor and is masculine
[客厅]
[living room]
一开始也没想做太中式，希望现代一点，但又要把我想要的韵味表现出来，好吧那就新中式，
客厅间距太宰，本不应做太多的柜子，但我有两个小孩，单玩具就好几箱，还是做柜子把它收起来，要不客厅一地都是玩具，所以把电视背景墙做了满墙的柜子，柜子中间留出够挂电视机就行，这样视点距离不变，多了好多储藏空间，餐厅与走道之间有一堵墙，把墙打掉，利用墙厚空间加上餐厅一点空间，做了一个650MM的柜子，侧面放冰箱，靠走道面放行李箱，好多设计师给别人家设计的时候会忽视掉，等搬进来住的时候行李箱没地方放。
At first, I didn't want to be Tai-Chinese. I hope it's more modern, but I have to show the flavor I want. Okay, that's the new Chinese style.
The living room is too spacing, should not have done too many cabinets, but I have two children, only a few boxes of toys, or do a cabinet to put it away, or the living room is all toys, so the TV background wall made a full wall of cabinets, cabinets in the middle of enough to hang the TV on the line of sight, so that the distance does not change, a lot of storage. Hidden space, a wall between the restaurant and the aisle, knocked off the wall, using the wall space plus a little room dining room, made a 650MM cabinet, the side of the refrigerator, by the aisle surface in the suitcase, good designer for other people will ignore the design, and so on when moving in the luggage no place to put.
墙面想做出这样的效果，很多时候都是用硬包，这里我尝试了用不锈钢条，墙上挖槽把不锈钢埋进一半，墙上再刮灰刷涂料，效果还不错，简单大方还环保。
The wall wants to make such an effect, often with a hard package, here I tried to use stainless steel bars, stainless steel buried in the wall trench in half, the wall then scrape paint, the effect is good, simple and generous but also environmentally friendly.
餐桌也是按我设计的尺寸定制，桌面大理石其实是很厚的，我磨斜边让它看起来很薄，其实很结实。
The table is also customized to my design size. The table marble is actually very thick. I grind the beveled edge to make it look thin, but it's actually very strong
[听雨]
[listen to the rain]
客厅的两个小黄方櫈，灵感来源于以前家里的小胶圆櫈，用起来很方便，比如在客厅泡茶，这个高度坐起来比较舒服，现在这两个小方櫈也是我女儿最喜欢的，我女儿刚刚学走路，整天在这上面爬来爬去的。
The two Xiao Huang Fangbian in the living room, inspired by the small round candied at home before, are very convenient to use, such as making tea in the living room, this height is more comfortable to sit up, now these two Xiao Fangbian is my daughter's favorite, my daughter just learned to walk, crawling around all day.
